Eventually, another hacker, Trinity ( Carrie-Anne Moss), introduces Neo to Morpheus. Neo spends his nights at his home computer trying to discover the secret of the Matrix and what the Matrix is.

In The Matrix, Neo ( Keanu Reeves) hears rumors of the Matrix and a mysterious man named Morpheus ( Laurence Fishburne). Japanese director Mamoru Oshii's 1995 anime film adaptation of Masamune Shirow's 1989 manga Ghost in the Shell was a strong influence. The Matrix directly references Lewis Carroll's 1865 novel Alice in Wonderland with the ' white rabbit' and the 'down the rabbit hole' phrases, as well as referring to Neo's path of discovery as 'Wonderland'. The film's premise resembles Plato's Allegory of the Cave, Zhuangzi's ' Zhuangzi dreamed he was a butterfly', René Descartes's skepticism and evil demon, Kant's reflections on the Phenomenon versus the Ding an sich, Robert Nozick's ' experience machine', the concept of a simulated reality and the brain in a vat thought experiment. The Matrix (1999), directed by the Wachowskis, makes references to historical myths and philosophy, including gnosticism, existentialism, and nihilism. See also: Influences and interpretations of The Matrix Reality, subjectivity and religion Neo chooses the red pill and joins the rebellion. On the other hand, the blue pill represents a beautiful prison-it would lead him back to ignorance, living in confined comfort without want or fear within the simulated reality of the Matrix. you stay in Wonderland, and I show you how deep the rabbit hole goes.' The red pill represents an uncertain future, unknown to Neo at the time, he takes the red pill -it would free him from the enslaving control of the machine-generated dream world and allow him to escape into the real world, but living the 'truth of reality' is harsher and more difficult. the story ends, you wake up in your bed and believe whatever you want to believe.

In The Matrix, the main character Neo is offered the choice between a red pill and a blue pill by rebel leader Morpheus. 1.1.1 Reality, subjectivity and religion.

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